Wednesday, June 22, 2011

WHO WAS JOHN DENVER

I want to thank UTUBE and http://en.wikipedia.org/wiki/or making this happen for me I love connecting the two together this way you can find out about the song and the person as you listen to the music./wiki/or

                         

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John Denver

John Denver
Background information
Birth nameHenry John Deutschendorf, Jr.
BornDecember 31, 1943(1943-12-31)
Roswell, New Mexico, U.S.
DiedOctober 12, 1997(1997-10-12) (aged 53)
Pacific Grove, California, U.S.
GenresCountry, folk, pop
OccupationsSinger-songwriter, instrumentalist, record producer, actor, writer, poet, activist
InstrumentsVocals, guitar, keyboards, fiddle
Years active1962–1997
LabelsMercury, RCA, BMG, Windstar, Sony Wonder
Associated actsThe John Denver Band, The Back Porch Majority, The New Christy Minstrels, Chad Mitchell Trio, The Muppets, Olivia Newton-John, Plácido Domingo, Emmylou Harris, Johnny Cash
Websitehttp://www.johndenver.com/

Henry John Deutschendorf, Jr. (December 31, 1943 – October 12, 1997), known professionally as John Denver, was an American singer/songwriter, activist, and humanitarian. After growing up in numerous locations with his military family, Denver began his music career in folk music groups in the late 1960s. His greatest commercial success was as a solo singer, spanning from 1971 to 1975. Throughout his life Denver recorded and released approximately 300 songs, about 200 of which he composed. He performed primarily with an acoustic guitar and sang about his joy in nature, his enthusiasm for music, and relationship trials. Denver's music appeared on a variety of charts including country & western, the Billboard Hot 100, and adult contemporary, in all earning him 12 gold and 4 platinum albums with his signature songs "Take Me Home, Country Roads", "Rocky Mountain High", "Annie's Song" and "Calypso".
Denver further starred in films and several notable television specials in the 1970s and 1980s. In the following decades he continued to record, but also focused on calling attention to environmental issues, lent his vocal support to space exploration, and testified in front of Congress to protest censorship in music. He was an avid pilot and died while flying his personal aircraft at the age of 53. Denver was one of the most popular acoustic artists of the 1970s.[1] His renown in the state of Colorado, which he sang about numerous times and where he lived in Aspen, influenced the governor to name him Poet Laureate of the state in 1974, and for the state legislature to adopt "Rocky Mountain High" as one of its state songs in 2007.

Biography

  Early years

Henry John Deutschendorf, Jr., was born in Roswell, New Mexico, to Erma Louise Swope and Lt. Col. Henry John Deutschendorf, Sr.,[2] an Air Force Lieutenant Colonel (who set three speed records in the B-58 Hustler bomber and earned a place in the Air Force Hall of Fame), was of German ancestry, and met and married his "Oklahoma Sweetheart".[3] Denver's Irish Catholic and German mother's mother, his beloved Grandmother, was the one whom imbued Denver with his love of music. In his autobiography, Take Me Home, Denver described his life as the eldest son of a family shaped by a stern father who couldn't show his love for his children.
Because Denver's father was in the military, the family moved often, making it difficult for young John to make friends and fit in with people of his own age. Constantly being the new kid was agony for the introverted child, and he grew up always feeling as if he should be somewhere else, but never knowing where that "right" place was.[4] While living in Tucson, Arizona, Denver was a member of the Tucson Arizona Boys Chorus for two years. Denver was happy living in Tucson, but his father was transferred to Montgomery, Alabama, then in the midst of the Montgomery boycotts. The family later moved to Fort Worth, Texas, where Denver graduated from Arlington Heights High School. Attending high school in Fort Worth was a distressing experience for the disenfranchised Denver. In his third year of high school, he borrowed his father's car and ran away to California to visit family friends and begin his music career. His father flew to California to bring him back, and Denver unhappily returned to finish high school.[5]
At the age of 11, Denver received an acoustic guitar from his grandmother.[6] He learned to play well enough to perform at local clubs by the time he was in college. He adopted the surname "Denver" after the capital of his favorite state, Colorado, when Randy Sparks, founder of The New Christy Minstrels, suggested that "Deutschendorf" wouldn't fit comfortably on a marquee.[7] Denver attended Texas Tech University in Lubbock and sang in a folk-music group called "The Alpine Trio" while pursuing architecture studies.[8] Denver dropped out of the Texas Tech School of Engineering in 1963,[6] and moved to Los Angeles, California, where he sang in the smoky underground folk clubs. In 1965, Denver joined the Chad Mitchell Trio, a folk group that had been renamed "The Mitchell Trio" prior to Chad Mitchell's departure and before Denver's arrival, and then "Denver, Boise, and Johnson" (John Denver, David Boise, and Michael Johnson).[6]

  Solo career

In 1969, Denver abandoned the band life to pursue a solo career, and released his first album for RCA Records: Rhymes & Reasons. Two years prior Denver had made a self-produced demo recording of some of the songs he played at his concerts. He included in the demo a song called "Babe I Hate to Go," later renamed "Leaving on A Jet Plane." Denver made several copies and gave them out as presents for Christmas.[9] Mitchell Trio manager Milt Okun brought the unreleased "Jet Plane" song to the high-profile folk group Peter, Paul and Mary. Their version of the song hit number one on the Billboard Hot 100.[10]
Although RCA did not actively promote Rhymes & Reasons with a tour, Denver himself embarked on an impromptu supporting tour throughout the Midwest, stopping at towns and cities as the fashion took him, offering to play free concerts at local venues. When he was successful in convincing a school, college, American Legion Hall, or local coffee-house to let him play, he would spend a day or so postering the town and could usually be counted upon to show up at the local radio station, guitar in hand, offering himself for an interview.[citation needed] With his foot-in-the-door of having authored "Leaving on a Jet Plane", he was often successful in gaining some valuable promotional airtime, usually featuring one or two songs performed live. Some venues would let him play for the "door"; others restricted him to selling copies of the album at intermission and after the show. After several months of this constant low-key touring schedule, however, he had sold enough albums to convince RCA to take a chance on extending his recording contract. He had also built a sizable and solid fan base, many of whom remained loyal throughout his career.[6]
Denver recorded two more albums in 1970, Take Me to Tomorrow and Whose Garden Was This?, featuring songs he had composed while driving the roads of the American Midwest. Although these albums were not as successful as those that followed, they would all be certified gold by the RIAA and would generally be considered some of his best work.[6]

 Career peak

His next album, Poems, Prayers, and Promises (released in 1971), was a breakthrough for him in the U.S., thanks in part to the single "Take Me Home, Country Roads", which went to No.2 on the Billboard charts despite the first pressings of the track being distorted. Its success was due in part to the efforts of his new manager, future Hollywood producer Jerry Weintraub, who signed Denver in 1970. Weintraub insisted on a re-issue of the track and began a radio-airplay campaign that started in Denver, Colorado. Denver's career flourished from then on, and he had a series of hits over the next four years. In 1972, Denver scored his first Top Ten album with Rocky Mountain High, with its title track reaching the Top Ten in 1973.[11] Between 1974 and 1975, Denver experienced an impressive chart dominance, with a string of four No.1 songs ("Sunshine on My Shoulders", "Annie's Song", "Thank God I'm a Country Boy", and "I'm Sorry") and three No.1 albums (John Denver's Greatest Hits, Back Home Again, and Windsong).[12]
In the 1970s, Denver's onstage appearance included long blond hair, embroidered shirts emblazoned with images commonly associated with the American West (created by designer & appliqué artist Anna Zapp), and "granny" glasses. His manager, Jerry Weintraub, insisted on a significant number of television appearances, including a series of half-hour shows in England, despite Denver's protests at the time, "I've had no success in Britain...I mean none."[13] Weintraub explained to Maureen Orth of Newsweek in December 1976, "I knew the critics would never go for John. I had to get him to the people."
After appearing as a guest on many shows, Denver went on to host his own variety/music specials, including several concerts from Red Rocks Amphitheatre near Denver. His seasonal special, Rocky Mountain Christmas, was watched by more than 60 million people and was the highest-rated show for the ABC network at that time.[citation needed]

John Denver and the Muppets: A Christmas Together.
His live concert special, An Evening with John Denver, won the 1974–1975 Emmy for Outstanding Special, Comedy-Variety or Music.[14] When Denver ended his business relationship because of Weintraub's focus on other projects, Weintraub threw Denver out of his office and called him a Nazi. Denver would later tell Arthur Tobier, when the latter transcribed his autobiography[citation needed], "...I'd bend my principles to support something he wanted of me. And of course every time you bend your principles – whether because you don't want to worry about it, or because you're afraid to stand up for fear of what you might lose – you sell your soul to the devil."[15]
Denver was also a guest star on The Muppet Show, the beginning of the lifelong friendship between Denver and Jim Henson that spawned two television specials with The Muppets. He also tried his hand at acting, starring in the 1977 film Oh, God! opposite George Burns. Denver hosted the Grammy Awards five times in the 1970s and 1980s and guest-hosted The Tonight Show on multiple occasions.[16] In 1975, Denver was awarded the Country Music Association's Entertainer of the Year award. At the ceremony, the outgoing Entertainer of the Year Charlie Rich presented the award to his successor, but in protest of what he considered the inappropriateness of Denver's selection, Rich set fire to the envelope containing the official notification of the award.[17] However, Denver's music was defended by country singer Kathy Mattea, who told Alanna Nash of Entertainment Weekly, "A lot of people write him off as lightweight, but he articulated a kind of optimism, and he brought acoustic music to the forefront, bridging folk, pop, and country in a fresh way.... People forget how huge he was worldwide."
In 1977, Denver cofounded The Hunger Project with Werner Erhard and Robert W. Fuller. He served for many years and supported the organization until his death. Denver was also appointed by President Jimmy Carter to serve on the President's Commission on World Hunger, writing the song "I Want to Live" as its theme song. In 1979, Denver performed "Rhymes & Reasons" at the Music for UNICEF Concert. Royalties from the concert performances were donated to UNICEF.[18] His father taught him to fly in the mid-1970s, which led to a reconciliation between father and son.[8] In 1980, Denver and his father, Lt. Col. “Dutch” Deutschendorf, co-hosted an award winning television special, "The Higher We Fly: the History of Flight."[3] It won the Osborn Award from the Aviation/Space Writers’ Association, and was honored by the Houston Film Festival.[3]

 Political activism

Denver became outspoken in politics in the mid-1970s. In 1976, he campaigned for Jimmy Carter, who became a close friend and ally. Denver was a supporter of the Democratic Party and of a number of charitable causes for the environmental movement, the homeless, the poor, the hungry, and the African AIDS crisis. He founded the charitable Windstar Foundation in 1976, to promote sustainable living. His dismay at the Chernobyl disaster led to precedent-setting concerts in parts of communist Asia and Europe.[8]
During the 1980s, Denver was critical of the Ronald Reagan Presidential Administration, but he remained active in his campaign against hunger, for which Reagan awarded Denver the Presidential World Without Hunger Award in 1985.[8] Denver's criticism of the conservative politics of the 1980s was expressed in his autobiographical folk-rock ballad "Let Us Begin (What Are We Making Weapons For)." Denver was also critical of the Republican-dominated Congress and American Conservatism of the 1990s. He denounced the National Rifle Association (NRA) as a corrupt political machine that could buy off politicians, and in an open letter to the media, he wrote that he opposed oil drilling in the Arctic National Wildlife Refuge. Denver had battled to expand the refuge in the 1980s, and he praised President Bill Clinton for his opposition to the proposed drilling. The letter, which he wrote in the midst of the 1996 presidential election, was one of the last he ever wrote.[8] Denver was also on the Board of Governors of the National Space Society for many years.

 Later years and humanitarian work

He had a few more U.S. Top 30 hits as the 1970s ended, but nothing to match his earlier success. He began to focus more on humanitarian and sustainability causes, focusing extensively on conservation projects. He made public expression of his acquaintances and friendships with ecological-design researchers such as Richard Buckminster Fuller and Amory Lovins, from whom he said he learned much. He also founded two environmental groups; the Windstar Foundation and Plant-It 2020 (originally Plant-It 2000). Denver had a keen interest in solutions to world hunger. He visited Africa during the 1980s to witness first-hand the suffering caused by starvation and to work with African leaders toward solutions.
John Denver testifies before the US Senate, 1985
                      


In 1983 and 1984, Denver hosted the annual Grammy Awards. In the 1983 finale, Denver was joined on stage by folk-music legend Joan Baez with whom he led an all-star version of "Blowin' in the Wind" and Let The Sunshine In, joined by such diverse musical icons as Jennifer Warnes, Donna Summer, and Rick James. In 1984, Roone Arlidge, president of ABC Sports, asked Denver to compose and sing the theme song for the 1984 Winter Olympics in Sarejevo. Denver worked as both a performer and a skiing commentator (skiing was another avocation of Denver's). He had written "The Gold and Beyond", and sang it for the Olympic Games athletes, as well as local venues including many schools.[3] In 1985, Denver asked to participate in the singing of "We Are the World" but was turned down. According to Ken Kragen (who helped to produce the song), the reason that John Denver was turned down was that many people felt his image would hurt the credibility of the song as a pop-rock anthem. "I didn't agree" with this assessment, Kragen said, but reluctantly turned Denver down anyway.[19] For Earth Day 1990, Denver was the on-camera narrator of a well-received environmental TV program, "In Partnership With Earth," with then–EPA Administrator William K. Reilly.
With Denver's innate love of flying he was naturally attracted to NASA and became dedicated to America’s work in outer space. He conscientiously worked to help bring into being the “Citizens in Space” program. Denver received the NASA Public Service Medal, in 1985 for “helping to increase awareness of space exploration by the peoples of the world,” an award usually restricted to spaceflight engineers and designers. Also in 1985, Denver passed NASA’s rigorous physical exam and was in line for a space flight, a finalist for the first citizen’s trip on the Space Shuttle in 1986. He was not chosen. After the Challenger disaster with teacher Christa McAuliffe aboard, John dedicated his song “Flying for Me”, to all astronauts, and he continued to support NASA.[3]
Denver testified on the topic of censorship during a Parents Music Resource Center hearing in 1985. Denver also toured Russia in 1985. His 11 Soviet Union concerts were the first by any American artist in more than 10 years, and they marked a very important cultural exchange that culminated in an agreement to allow other western artists to perform there.[20] He returned two years later to perform at a benefit concert for the victims of the Chernobyl disaster. In October 1992, John undertook a multiple-city tour of the People's Republic of China. He also released a greatest-hits CD, "Homegrown," to raise money for homeless charities. In 1994, he published his autobiography, Take Me Home. In 1996, he was inducted into the Songwriters Hall of Fame.
In early 1997, Denver filmed an episode for the Nature series, centering on the natural wonders that inspired many of his best-loved songs. The episode contains his last song, "Yellowstone, Coming Home," which he composed while rafting along the Colorado River with his son and young daughter.[21]
In the summer of 1997, Denver recorded a children's train album for Sony Wonder, entitled All Aboard!, produced by long-time friend Roger Nichols.[22] The album consisted of old-fashioned swing, big band, folk, bluegrass, and gospel styles of music woven into a theme of railroad songs. This album won a posthumous Best Musical Album For Children Grammy for Denver, which was his only Grammy.[23]

 Personal life

Denver's first marriage was to Annie Martell of St. Peter, Minnesota. Their wedding was held at the Christ Chapel at Gustavus Adolphus College. Annie was the subject of his hit "Annie's Song," which he composed in only ten minutes while on a ski lift in 1974.[8] The couple lived in Edina, Minnesota from 1968 to 1971. Following the success of "Rocky Mountain High," Denver purchased a residence in Colorado and owned one home in Colorado continuously until his death.[24] He and Annie adopted a son, Zachary, and daughter, Anna Kate, whom John would say were “meant to be” theirs.[3] John once said, "I'll tell you the best thing about me. I'm some guy's dad; I'm some little gal's dad. When I die, Zachary John and Anna Kate's father, boy, that's enough for me to be remembered by. That's more than enough."[25] Zachary was the subject of "A Baby Just Like You," a song that included the line "Merry Christmas, little Zachary" and which he wrote for Frank Sinatra. Denver and Martell divorced in 1982.[8] She continues to live in Aspen, Colorado.
John Denver married Australian actress Cassandra Delaney in 1988. They had a daughter, Jesse Belle. They separated in 1991 and divorced in 1993.[8]
Denver's talent extended beyond music. He was a painter as well. but because of his limiting schedule, he pursued photography. He once said that "photography is a way to communicate a feeling." Denver was an avid skier and golfer. His love of flying was secondary only to his love for music.[26] He collected vintage biplanes and in 1974, he bought a Learjet, which he used to fly himself to concerts. He also bought a Christen Eagle aerobatic plane, two Cessna 210s, gliders and in 1997, the ill-fated Rutan Long-EZ.[3][26]

A Long-EZ two seat canard plane similar to Denver's

 Death

On October 12, 1997, Denver was killed at the age of 53 when his Experimental Rutan Long-EZ plane, aircraft registration number N555JD, crashed into the Pacific Ocean near Pacific Grove, California.[27]
A pilot with over 2,700 hours of experience, Denver had single-engine land and sea, multi-engine land, glider, and instrument ratings. He also held a type rating in his Learjet. He had recently purchased the Long-EZ aircraft, and had taken a half-hour checkout flight with the aircraft the day before the accident. The NTSB cited Denver's unfamiliarity with the aircraft and his failure to have the aircraft refueled as causal factors in the accident. Denver was the sole occupant of the aircraft.[28] Before the accident, the FAA had learned of his failure to abstain entirely from alcohol subsequent to drunk driving arrests, and since his medical certification was conditional on this, a determination was made that due to his drinking problem, he was not qualified for any class of medical certification at the time. At least a third-class medical certification was required to exercise the privileges of his pilot certificate. However, there was no trace of alcohol or any other drug in Denver's body at autopsy.[29]
Human-interface designer and pilot Bruce Tognazzini analyzed Denver's fatal crash on his webzine, AskTog,[30] in June 1999.
This particular aircraft had an unusual reconfiguration of the fuel selector valve handle, which had been moved from the instrument panel to behind the left shoulder of the pilot. Apparently it also had a sticky O-ring and was hard to move. Both factors may have led to Denver pushing the right rudder pedal when he turned to switch fuel tanks by moving the handle. The aircraft then entered an uncontrolled turning descent: a spiral dive or a spin. Flying at an estimated altitude of 500 feet (150 m), he did not have time to recover. As the wreck badly disfigured Denver's head and body, making identification by dental records impossible, records of his fingerprints taken from his arrests for intoxicated driving were used to confirm that the fallen pilot was indeed the singer.[31][32]
Upon announcement of Denver's death, Colorado governor Roy Romer ordered all state flags to be lowered to half staff in his honor. Denver was cremated with the 1910 Gibson guitar given to him by his grandmother which had inspired much of his career. Funeral services were held at Faith Presbyterian Church in Aurora, Colorado, on October 17, 1997, being officiated by Pastor Les Felker, a retired Air Force chaplain. Later, Denver's ashes were scattered in the Rocky Mountains. Further tributes were made at the following Grammys and Country Music Association Awards. Nearly ten years after his death on September 23, 2007, his brother Ron witnessed the dedication of a plaque placed near the crash-site in Pacific Grove, California, commemorating the singer.

 Posthumous recognition

In 2000, CBS presented the television movie Take Me Home: The John Denver Story loosely based on his memoirs, starring Chad Lowe. Denver's brother, Ron Deutschendorf, voiced the feelings of many of the singer's fans when he wrote a letter to the Los Angeles Times criticizing the film's many inaccuracies: multiple chronological errors, exaggerated difficulties in his relationship with his father, and a completely superficial treatment of Denver's commitment to his various causes. As the New York Post observed, "An overachiever like John Denver couldn't have been this boring."[33]
Denver's music remains extremely popular around the world. Previously unreleased and unnoticed recordings are now sought-after collectibles in pop, folk and country genres. Also in demand are copies of Denver's many television appearances, especially his one-hour specials from the 1970s and his six-part series for Britain's BBC, The John Denver Show. Despite strong interest in these programs, no sign of "official" release is evident for the vast majority of this material. An anthology musical featuring John Denver's music, Back Home Again: A John Denver Holiday, premiered at the Rubicon Theatre Company in November 2006.[34]
On March 12, 2007, Colorado's Senate passed a resolution to make Denver's trademark 1972 hit "Rocky Mountain High" one of the state's two official state songs, sharing duties with its predecessor, "Where the Columbines Grow."[35] The resolution passed 50–11 in the House, defeating an objection by Rep. Debbie Stafford (R-Aurora) that the song reflected drug use, most specifically the line, "Friends around the campfire and everybody's high." Sen. Bob Hagedorn, the Aurora Democrat who sponsored the proposal, defended the song as nothing to do with drugs, but everything to do with sharing with friends the euphoria of experiencing the beauty of Colorado's mountain vistas. Nancy Todd (D-Aurora) said that "John Denver to me is an icon of what Colorado is."[36] Similar proposals have also been made to the West Virginia House of Delegates to make "Take Me Home Country Roads" the official song of that particular state, so far without success.

The lyrics to "Rocky Mountain High", one of Colorado's official state songs, in Rio Grande Park[37] near Denver's hometown of Aspen, Colorado.
On September 24, 2007, the California Friends of John Denver and The Windstar Foundation unveiled a bronze plaque near the spot where his plane went down near Pacific Grove. The site had been marked by a driftwood log carved (by Jeffrey Pine of Colorado) with the singer's name, but fears that the memorial could be washed out to sea sparked the campaign for a more permanent memorial. Initially the Pacific Grove Council denied permission for the memorial, fearing the place would attract ghoulish curiosity from extreme fans. Permission was finally granted in 1999, but the project was put on hold at the request of the singer's family. Eventually, over 100 friends and family attended the dedication of the plaque, which features a bas-relief of the singer's face and lines from his song "Windsong": "So welcome the wind and the wisdom she offers. Follow her summons when she calls again."[38]
To mark the 10th anniversary of Denver's death, his family released a set of previously unreleased recordings of Denver's 1985 concert performances in the Soviet Union. This two-CD set, John Denver – Live in the USSR, was produced by Denver's friend Roger Nichols, and released by AAO Music. These digital recordings were made during 11 concerts, and then rediscovered in 2002. Included in this set is a previously unpublished rendition of "Annie's Song" in Russian. The collection was released November 6, 2007.[20]
On October 13, 2009, a DVD box set of previously unreleased concerts recorded throughout Denver's career was released by Eagle Rock Entertainment. "Around the World Live" is a 5-disc DVD set featuring three complete live performances with full band from Australia in 1977, Japan in 1981, and England in 1986. These are complemented by a solo acoustic performance from Japan in 1984, and performances at Farm Aid from 1985, 1987 and 1990. The final disc has two hour-long documentaries made by Denver.
On April 21, 2011,John Denver became the first inductee into the Colorado Music Hall of Fame.A benefit concert was held at Broomfeld's Ist Bank Center & hosted by Australian singer Olivia Newton-John.Other performers participating in the event included Nitty Gritty Dirt Band, Lee Ann Womack & John Oates. Both of his ex-wives were in attendance, and the award was presented to his three children.

 Related artists

Denver began his recording career with a group that had started as the Chad Mitchell Trio; his distinctive voice can be heard where he sings solo on Violets of Dawn, among other songs. He recorded three albums with the Mitchell Trio, replacing Chad Mitchell himself as high tenor.[6] The group Denver, Boise and Johnson, which had evolved from the Mitchell Trio, released a single before he moved on to a solo career.[7]
Bill Danoff and Taffy Nivert, credited as co-writers of Denver's song "Take Me Home, Country Roads", were close friends of Denver and his family, appearing as singers and songwriters on many of Denver's albums until they formed the Starland Vocal Band in 1976. The band's albums were released on Denver's Windsong Records (later known as Windstar Records) label. Denver's solo recording contract resulted in part from the recording by Peter, Paul and Mary of his song "Leaving on a Jet Plane", which became the sole number 1 hit single for the group.[6] Denver recorded songs by Tom Paxton, Eric Andersen, John Prine, David Mallett, and many others in the folk scene. His record company, Windstar, is still an active record label today.[citation needed] Country singer John Berry considers Denver the greatest influence on his own music and has recorded Denver's hit "Annie's Song" with the original arrangement.
Olivia Newton-John, an Australian singer whose across-the-board appeal to pop, MOR, and country audiences in the mid-1970s was similar to Denver's, lent her distinctive backup vocals to Denver's 1975 single "Fly Away"; she performed the song with Denver on his 1975 Rocky Mountain Christmas special. She also covered his "Take Me Home, Country Roads", and had a hit in the United Kingdom (#15 in 1973) and Japan (#6 in a belated 1976 release) with it.[citation needed] In 1976, John Denver appeared as a guest star, along with Olivia Newton-John, who made a cameo appearance, on The Carpenters Very First Special, a one-hour TV special broadcast on the ABC television network. A highlight of the program was John singing a duet with Karen Carpenter of a medley of "Through the Rye" and "Good Vibrations", although the medley was never released commercially as a single or on an album.[citation needed]
September 2008 saw the premiere of the musical Whisper the Wind in New Zealand, a tribute presentation covering highlights of Denver's life and career, with the younger Denver played by 21-year-old Dunedin musician Bevan Gardiner, whose vocal impersonation of the late singer was considered so accurate Denver's business manager Harold Thau could not tell them apart.[39]

 Awards and recognition

Academy of Country Music
American Music Awards
Country Music Association
Emmy Awards
  • 1975 Emmy for Outstanding Variety, Music or Comedy Special for "An Evening With John Denver"[3]
Grammy Awards
Songwriters Hall of Fame

 Other recognition

 Discography

 Filmography

 Selected writings

 References

  1. ^ "Gold & Platinum – August 17, 2010". RIAA. http://www.riaa.com/goldandplatinumdata.php?table=tblTopArt. Retrieved August 17, 2010. 
  2. ^ "''Ancestry of John Denver'' compiled by William Addams Reitwiesner". Wargs.Com. http://www.wargs.com/other/denver.html. Retrieved May 9, 2011. 
  3. ^ a b c d e f g h i j k John-Denver.org[dead link]
  4. ^ "John Denver". The Daily Telegraph (London). October 14, 1997. http://www.telegraph.co.uk/news/obituaries/7733036/John-Denver.html. 
  5. ^ "FindArticles biodata". Findarticles.com. http://findarticles.com/p/articles/mi_g1epc/is_bio/ai_2419200301. Retrieved May 9, 2011. 
  6. ^ a b c d e f g "Biography". john denver. http://johndenver.com/about/biography/. Retrieved August 17, 2010. 
  7. ^ a b "The New Christy Minstrels". Thenewchristyminstrels.com. http://www.thenewchristyminstrels.com/. Retrieved August 17, 2010. 
  8. ^ a b c d e f g h "John Denver Biography – life, family, children, name, death, wife, young, son, born, college, contract, marriage, year, Raised in Military Family". Notablebiographies.com. http://www.notablebiographies.com/supp/Supplement-Ca-Fi/Denver-John.html. Retrieved August 17, 2010. [dead link]
  9. ^ john denver: current events[dead link]
  10. ^ Ruhlman, William (April 12, 1996). "Beginnings". Goldmine Magazine. http://www.peterpaulandmary.com/history/f-ruhlmann3.htm. Retrieved January 24, 2010. 
  11. ^ "Top 100 Music Hits, Top 100 Music Charts, Top 100 Songs & The Hot 100". Billboard. http://www.billboard.com/charts/hot-100#/charts/hot-100?chartDate=1973-02-17. Retrieved August 17, 2010. 
  12. ^ "Artist Biography – John Denver". Countrypolitan.com. October 12, 1997. http://www.countrypolitan.com/bio-john-denver.php. Retrieved May 9, 2011. 
  13. ^ Rocky Mountain Wonderboy, James M. Martin, Pinnacle Books 1977
  14. ^ "Private Tutor". Infoplease.com. http://www.infoplease.com/ipa/A0151551.html. Retrieved August 17, 2010. 
  15. ^ Take Me Home: An Autobiography, John Denver and Arthur Tobier, Harmony Books, 1994.
  16. ^ "John Denver: Biography from". Answers.com. http://www.answers.com/topic/john-denver. Retrieved May 9, 2011. 
  17. ^ "The Greatest : Features". CMT.com. April 3, 1992. http://www.cmt.com/shows/dyn/greatest_series/76893/episode_featured_copy.jhtml. Retrieved May 9, 2011. 
  18. ^ thepiperchile. "ABBA on TV – Music for UNICEF – A Gift of Song Concert". Abbaontv.com. http://www.abbaontv.com/1979/description-unicef1.html. Retrieved May 9, 2011. 
  19. ^ "Harry Chapin website". Harrychapin.com. http://www.harrychapin.com/circle/winter05/behind.htm. Retrieved May 9, 2011. 
  20. ^ a b "''Windstar Foundation announcement''". Wstar.Com. September 11, 2007. http://www.wstar.org/windstar/OnlineStore/Products/russiacd.html. Retrieved May 9, 2011. 
  21. ^ "PBS Nature Website, "John Denver – Let this be a voice"". Pbs.org. http://www.pbs.org/wnet/nature/denver/index.html. Retrieved May 9, 2011. 
  22. ^ http://www.telegraph.co.uk/news/obituaries/8580588/Roger-Nichols.html
  23. ^ "John Denver". Rock On The Net. http://www.rockonthenet.com/artists-d/johndenver_main.htm. Retrieved May 9, 2011. 
  24. ^ John Denver: The Baby Boomer's Poet Laureate Of Song.
  25. ^ Martin, Frank W. "John Denver's Unsung Story", People, February 26, 1979.
  26. ^ a b Castro, Peter. "Peaks & Valleys", People.com, October 27, 1997.
  27. ^ "Closeup: The John Denver Crash". Avweb.com. http://www.avweb.com/other/ntsb9905.html. Retrieved May 9, 2011. 
  28. ^ National Transportation Safety Board (NTSB). "Press release". http://www.ntsb.gov/Pressrel/1999/990126.htm. Retrieved December 7, 2009. 
  29. ^ National Transportation Safety Board. Long-EZ, N555JD, Flight History and Accident Report, ID= LAX98FA008, October 12, 1997.
  30. ^ "John Denver: When Interfaces Kill". AskTog. October 12, 1997. http://www.asktog.com/columns/027InterfacesThatKill.html. Retrieved May 9, 2011. 
  31. ^ Kligman, David. "John Denver Dies In Crash", Chicago Sun Times, October 13, 1997. reprinted at highbeam.com
  32. ^ Certificate of Death, October 13, 1997; at rockmine.com
  33. ^ Buckman, Adam. "Home Movie Disses Denver", New York Post, April 29, 2000.
  34. ^ "John Denver and Friends Rocky Mountain High WWW Page". Shellworld.net. April 17, 2009. http://www.shellworld.net/~emily/jdfriend.html. Retrieved May 9, 2011. 
  35. ^ http://www.netstate.com/states/symb/song/co_rocky_mountain_high.htm Accessed 4/16/2009
  36. ^ Denver Post, 3/13/2007
  37. ^ "John Denver Sanctuary, Aspen, Colorado". Aspenportrait.com. October 12, 1997. http://www.aspenportrait.com/john_denver_sanctuary/denver1-0706.html. Retrieved May 9, 2011. 
  38. ^ "John Denver Memorial Plaque Pacific Grove". Johndenverclub.org. http://johndenverclub.org/JohnDenverPlaque/johndenvermemorialplaquepacificgrove.html. Retrieved May 9, 2011. 
  39. ^ Report from Dunedin, New Zealand on Whisper the Wind.

 Sources

  • Flippo, Chet (1998) "John Denver," The Encyclopedia of Country Music, Paul Kingsbury, Editor, New York: Oxford University Press. p. 143.
  • Martin, James M. (1977) "John Denver: Rocky Mountain Wonderboy," Pinnacle Books. (Out of print) Biography of Denver with insight into Denver's impact of the 1970s music industry.
  • Orth, Maureen, "Voice of America," Newsweek, December 1976. Includes information on the role of Weintraub in shaping Denver's career, which has since been edited out of later versions of his biography.

[edit] External links






Monday, June 20, 2011

Who is Bobby McFerrin

I want to thank UTUBE and http://en.wikipedia.org/wiki/Bobby_McFerrin
For making this happen for me I love connecting the two together this way you can find out about the song and the person as you listen to the music.


Bobby McFerrin,

Bobby McFerrin was born in Manhattan, New York City, the son of operatic baritone Robert McFerrin and singer Sara Copper. Robert Sr. was the first African American to be a regular with New York's Metropolitan Opera. Sara is a former soloist with regional opera companies and in Broadway shows, and is a professor emeritus of music at Fullerton College in Fullerton, California.
Bobby McFerrin was married to Debbie Green in 1975. They have three children.
McFerrin's song "Don't Worry, Be Happy" was a No. 1 U.S. pop hit in 1988 and won Song of the Year and Record of the Year honors. McFerrin has also worked in collaboration with instrumental performers, including pianists Chick Corea, Herbie Hancock, and Joe Zawinul, drummer Tony Williams, and cellist Yo-Yo Ma.

                         

Vocal technique

As a vocalist, McFerrin often switches rapidly between modal and falsetto registers to create polyphonic effects, performing both the main melody and the accompanying parts of songs. He makes use of percussive effects created both with his mouth and by tapping on his chest.

 McFerrin is also capable of multiphonic singing, as observed in his song "Drive" from the 2005 DVD Live in Montreal. A notable document of McFerrin's approach to singing is his 1984 album The Voice, the first solo vocal jazz album recorded with no accompaniment or overdubbing In 1986, McFerrin was the voice of Santa Bear in "Santa Bear's First Christmas," and in 1987 he was the voice of Santa Bear/Bully Bear in the sequel "Santa Bear's High Flying Adventure."

That same year, he performed the theme song for the opening credits of Season 4 of The Cosby Show, as well as the music for a Cadbury chocolate commercial.[citation needed] In 1988, McFerrin recorded the hit song "Don't Worry, Be Happy", which brought him widespread recognition across the world. However, the song's success "ended McFerrin's musical life as he had known it," and he began to pursue other musical possibilities -- on stage and in recording studios.

  The song was used in George H. W. Bush's 1988 U.S. presidential election as Bush's 1988 official presidential campaign song, without Bobby McFerrin's permission or endorsement. In reaction, Bobby McFerrin publicly protested that particular use of his song, including stating that he was going to vote against Bush, and completely dropped the song from his own performance repertoire, to make the point even clearer.[citation needed] In 1989, he composed and performed the music for the Pixar short film Knick Knack. The rough cut to which McFerrin recorded his vocals had the words "blah blah blah" in place of the end credits (meant to indicate that he should improvise).

McFerrin spontaneously decided to sing "blah blah blah" as lyrics, and the final version of the short film includes these lyrics during the end credits. Also in 1989, he formed a ten-person "Voicestra" which he featured on both his 1990 album Medicine Music and in the score to the 1989 Oscar-winning documentary Common Threads: Stories from the Quilt. The song "Common Threads" has frequently reappeared in some public service advertisements for AIDS. McFerrin also performed with the Vocal Summit.[citation needed] As early as 1992, widespread rumors circulated that falsely claimed McFerrin committed suicide.

 The rumors intentionally made fun of the distinctly positive nature of his popular song "Don't Worry, Be Happy" by claiming McFerrin ironically took his own life In 1993 McFerrin sang Henry Mancini's "Pink Panther" theme for the movie Son of the Pink Panther. In addition to his vocal performing career, in 1994 Mr. McFerrin was appointed as creative chair of the Saint Paul Chamber Orchestra. He makes regular tours as a guest conductor for symphony orchestras throughout the United States and Canada, including the San Francisco Symphony (on his 40th birthday), the New York Philharmonic, the Chicago Symphony Orchestra, the Cleveland Orchestra, the Philadelphia Orchestra, the Los Angeles Philharmonic, the London Philharmonic, the Vienna Philharmonic and many others.

 In McFerrin's concert appearances, he combines serious conducting of classical pieces with his own unique vocal improvisations, often with participation from the audience and the orchestra. For example, the concerts often end with McFerrin conducting the orchestra in an a cappella rendition of the "William Tell Overture," in which the orchestra members sing their musical parts in McFerrin's vocal style instead of playing their parts on their instruments. For a few years in the late 1990s, he toured a concert version of Porgy and Bess, partly in honor of his father, who sang the role for Sidney Poitier in the 1959 film version, and partly "to preserve the score's jazziness" in the face of "largely white orchestras" who tend not "to play around the bar lines, to stretch and bend".

McFerrin says that because of his father's work in the movie, "This music has been in my body for 40 years, probably longer than any other music." McFerrin also participates in various music education programs and makes volunteer appearances as a guest music teacher and lecturer at public schools throughout the U.S. McFerrin has collaborated with his son, Taylor, on various musical ventures. Taylor has recently been singing, rapping, and playing minimal keyboard accompaniment with Vernon Reid (leader-guitarist of Living Colour) in the eclectic metal-fusion-funk group Yohimbe Brothers.[citation needed]

 In 2009, McFerrin and musician-scientist Daniel Levitin served as co-hosts of "The Music Instinct", a 2 hour award-winning documentary produced by PBS and based on Levitin's best-selling book This Is Your Brain On Music. Later that year, the two appeared together on a panel at the World Science Festival where McFerrin demonstrated audience participation with the ubiquitous nature of human understanding of the pentatonic scale by singing and dancing, and having the audience sing while following his movements.

 In October 2010, Bobby McFerrin appeared on NPR's news quiz show Wait, Wait...Don't Tell Me. In February 2011, Bruce Hornsby noted that McFerrin is in the process of organizing a super-group to debut in 2012.

 Discography
As leader

 As sideman

  • Pharoah Sanders, Journey to the One, 1980
  • Grover Washington, Jr., The Best Is Yet to Come, 1982
  • Various Artists, The Young Lions, 1983
  • Charles Lloyd Quartet, A Night in Copenhagen, 1984
  • Various Artists, A Tribute to Thelonius Monk, 1984
  • Chico Freeman, Tangents, 1984
  • Michael Hedges, Watching My Life Go By, 1985
  • The Manhattan Transfer, Vocalese, 1985
  • Joe Zawinul, Di•a•lects, 1986
  • Weather Report, Sportin' Life, 1985
  • Al Jarreau, Heart’s Horizon, 1988
  • Quincy Jones, Back on the Block, 1989
  • Laurie Anderson, Strange Angels, 1989
  • Gal Costa, The Laziest Gal in Town, 1991
  • Dizzy Gillespie, "To Bird With Love", 1992
  • Jack DeJohnette, Extra Special Edition, 1994
  • Yellowjackets, Dreamland, 1995
  • George Martin, In My Life, 1998 - on Come Together with Robin Williams
  • En Vogue, Masterpiece Theatre, 2000
  • Bela Fleck and the Flecktones, Little Worlds, 2003
  • Chick Corea, Rendezvous in New York, 2003
  • Wynton Marsalis, The Magic Hour, 2004
  • size2shoes, 2006 (free track)[10]

 Grammys

  • 1985, Best Jazz Vocal Performance, male, "Another Night In Tunisia" with Jon Hendricks
  • 1985, Best Vocal Arrangement for two or more voices, "Another Night In Tunisia" with Cheryl Bentyne
  • 1986, Best Jazz Vocal Performance, male, "Round Midnight"
  • 1987, Best Jazz Vocal Performance, male, "What Is This Thing Called Love"
  • 1987, Best Recording for Children, "The Elephant's Child" with Jack Nicholson
  • 1988, Song of the year, Best Pop Vocal Performance, male, Record of the year, "Don't Worry, Be Happy"
  • 1988, Best Jazz Vocal Performance, male, "Brothers"
  • 1992, Best Jazz Vocal Performance, "Round Midnight"

 References

  1. ^ Accessmylibrary.com
  2. ^ IMDB
  3. ^ Allmusic.com
  4. ^ Bobby McFerrin's Improv-Inspired 'Vocabularies'
  5. ^ "Don't Worry, Be Dead"
  6. ^ Cori Ellison, "'Porgy' and Music's Racial Politics", 13 December 1998, The New York Times; available online here, accessed 15 July 2010.
  7. ^ Bobby McFerrin demonstrates the power of the pentatonic scale, using audience participation, at the event "Notes & Neurons: In Search of the Common Chorus", from the 2009 World Science Festival, June 12, 2009., accessed 11 April 2010
  8. ^ http://www.npr.org/player/v2/mediaPlayer.html?action=1&t=1&islist=false&id=130920798&m=130921009
  9. ^ Hornsby, Bruce. "Facebook Chat". https://www.facebook.com/permalink.php?story_fbid=500166052983&id=9390219. 
  10. ^ Moley & Bobby performance download

External links

  • Snopes.com on the suicide rumour
  • Bobby McFerrin at Allmusic
  • Demonstration of the pentatonic scale, World Science Festival 2009
  • Bobby McFerrin


Friday, June 17, 2011

Who Is Billy Vera & the Beaters

I want to thank UTUBE and http://en.wikipedia.org/wiki/Billy_Vera_%26_the_Beaters
For making this happen for me I love connecting

Billy Vera
BornMay 28, 1944
Riverside, California

Billy Vera (born William McCord; May 28, 1944) is an American singer, actor, writer and music historian.

 Life and career

Vera was born in Riverside, California. He began his singing career in 1962 as a member of the Resolutions. He went on to write several songs throughout the early 1960s, writing for the likes of Barbara Lewis, Fats Domino, The Shirelles and Ricky Nelson. He also wrote the garage band classic, "Don't Look Back", performed by the Remains.
In 1967 Vera penned a song entitled "Storybook Children" and brought it to Atlantic Records. The decision to place former gospel singer Judy Clay with Vera in a white-black duet to record the song was a commercial and artistic success and a subsequent album by Vera and Clay remains a highpoint for soul duet partnerships. He would have a solo hit later that same year with the Bobby Goldsboro penned "With Pen in Hand" which was also the name of his next album.




                         

Throughout the 1970s and early 1980s Vera focused on songwriting including "I Really Got the Feeling" which was a number 1 hit for Dolly Parton. He also participated in several archival and music preservation projects, including fronting the band at the 1972 Reunion concert of Dion & the Belmonts.
Living in Los Angeles, and writing songs for Warner Brothers, Vera and his old friend, bass player Chuck Fiore decided to put together a band to play the local club scene. Modeling their band on 1950s Rock and roll bands, The Beaters were born. They featured a horn section, as well as a pedal steel guitar, along with drums, piano, Fiore's bass, and Vera's lead guitar and vocals. As a result of the buzz the band generated, Alfa Records offered them a recording contract. They recorded the band live, and in 1981 yielded the minor hits "I Can Take Care of Myself," which reached #39 on the Billboard Hot 100 in the U.S., and "At This Moment," which (initially) charted at #79.
By 1982, Alfa Records was out of business, but Vera and the Beaters continued to play the clubs of Southern California. In 1985, a producer from the TV show Family Ties was in the audience to hear the band play "At This Moment." The song was featured in the fall of 1985 as a backdrop for romantic interludes between characters Alex (Michael J. Fox) and Ellen (Tracy Pollan). Viewers responded by clamoring for the song, and in 1986, Rhino Records released By Request: The Best of Billy Vera & the Beaters, which featured the song. The single became a number one hit in its re-release, and remained on the charts for 15 weeks.
Before "At This Moment," Vera had a small career in movies and television including appearances in The Adventures of Buckaroo Banzai and soap opera Days of our Lives. "At This Moment" propelled his movie career as he and the Beaters were featured prominently in the Bruce Willis movie Blind Date. He would go on to star in one episode of a TV series, Wiseguy and would have several other roles on shows such as Baywatch, Boy Meets World, and Beverly Hills, 90210 as well as being a guest on the 'Super Dave Osborne Show'. These roles would lead him into singing theme songs for TV shows, such as Empty Nest and King of Queens, as well as voice acting on Cartoon Network cartoons. He served as band leader on Rick Dees' short-lived late night talk show "Into the Night" on ABC in the early 1990s.
During that period, Vera co-produced three Lou Rawls albums with his friend, Michael Cuscuna, for Blue Note Records, including At Last, which reached #1 on the Billboard Jazz Chart. Vera also produced Rawls's final album, Rawls Sings Sinatra, which remained on the jazz charts for over six months. Rawls recorded seven of Billy's songs, including "If I Were A Magician" and "You Can't Go Home." In 1990, Vera's tune, "Papa Come Quick (Jody & Chico)," was included on Bonnie Raitt's album, Luck Of The Draw, the biggest of her career, selling over five million copies.
Currently the Beaters are still playing the California club scene, and Vera continues his work as a music historian. He has helped produce, archive, and write liner notes for over 200 reissue albums and sets, from artists such as Little Richard, Sam Cooke, Louis Jordan, Ray Charles, Louis Prima, and more.
Billy has been the voice for AM/PM Mini Mart commercials for the last 11 years and is one of the top voice over artists in Los Angeles. His song, "At This Moment" is included on Michael Buble's #1 CD, Crazy Love. Vera's latest CD is Hopeless Romantic: The Best Of Billy Vera & The Beaters, on Shout Factory Records, available on amazon.com and other sites.
Billy Vera also has a star on the Hollywood Walk of Fame right in front of the Capitol Records Building in Hollywood, California.

 External links


This blog was created by johnny Wheelock also Known as johnny405

Thursday, June 16, 2011

Who is Joe Jackson


First I want to thank Wikipedia because they make looking on the net so easy,
and UTUBE for being the greatest thing to ever hit the internet.
So Who is Joe Jackson,

Joe Jackson (born David Ian Jackson, 11 August 1954, Burton upon Trent, Staffordshire[1]) is an English musician and singer-songwriter now living in Berlin, whose five Grammy Award nominations span from 1979 to 2001.[2] He is probably best-known for the 1979 hit song "Is She Really Going Out with Him?", which still gets extensive FM radio airplay; for his 1982 hit, "Steppin' Out"; and for his 1984 success with "You Can't Get What You Want (Till You Know What You Want)".
Along with Elvis Costello and Graham Parker, Jackson was a part of the trio of English artists who challenged the punk scene[citation needed] and brought a New Wave sound to the United States[citation needed] in the late 1970s. He was popular for his pop/rock and new wave music early on before moving to more eclectic, though less commercially successful, pop/jazz/classical hybrids.

                          


Biography
Born in Staffordshire, David Jackson (as he was then known) grew up in Portsmouth in the Paulsgrove area and he attended the City of Portsmouth Boys School. His parents later moved to Gosport when he was a teenager.[citation needed]
He initially learned to play the violin but soon switched to piano and prevailed on his dad to install one in the hall of their Paulsgrove council house. From the age of 16, he played in bars, and won a scholarship to study musical composition at London's Royal Academy of Music.[citation needed]
Jackson's first band, in Gosport, was Edward Bear (not to be confused with the 1970s Canadian band fronted by Larry Evoy). The band was later renamed Edwin Bear and later Arms and Legs, but dissolved in 1976 after two unsuccessful singles.[citation needed] Although he was still known as David Jackson while in Arms & Legs, it was around this time that Jackson picked up the nickname "Joe", based on his perceived resemblance to the puppet character Joe 90.[citation needed] He then spent some time in the cabaret circuit to make money to record his own demos.[citation needed] However, whilst at school he had been known as 'Joe' to his schoolmates and teachers from 1972 onwards.[citation needed]
In 1978, a record producer heard his tape, and got him signed to A&M Records.[citation needed] The album Look Sharp! was recorded straight away, and was released in 1979, quickly followed by I'm the Man (also 1979) and Beat Crazy in 1980. He also collaborated with Lincoln Thompson in reggae crossover.
Jackson at the El Mocambo, Toronto, 21 May 1979 Photo: Jean-Luc Ourlin
In 1981, Jackson produced an album for the British power pop group The Keys. The Keys Album was the group's only LP.[3]
The Joe Jackson Band toured extensively. After the break-up of the band, Jackson took a break and recorded an album of old-style swing and blues tunes, Jumpin' Jive, featuring songs of Cab Calloway, Lester Young, Glenn Miller, and most prominently, Louis Jordan. The album, and associated single release, was credited to Joe Jackson's Jumpin' Jive.[2]
Jackson's 1982 album Night and Day paid tribute to the wit and style of Cole Porter (and indirectly to New York City).[citation needed] Night and Day was Jackson's only studio album to reach either the United States or UK Top 10, peaking at #4 (US) and at #3 (UK), and the cuts "Steppin' Out" and "Breaking Us In Two" were chart hits. The tracks "Real Men" and "A Slow Song" have pointed obliquely to the city's early 1980s gay culture.[4] Jackson lived in New York for the next 20 years, incorporating the sound of the city into his music throughout the 1980s and beyond.[citation needed]
Almost two years later, Jackson recorded the UK #14 album Body and Soul, also heavily influenced by pop and jazz standards and salsa, showcasing the US #15 hit single "You Can't Get What You Want (Till You Know What You Want)".
In 1986, he collaborated with Suzanne Vega on the single "Left of Center" from Pretty in Pink's soundtrack (with Vega singing and Jackson playing piano).
Jackson followed with the live album Big World, a three-sided double record – the fourth side consisted of a single centring groove and a label stating "there is no music on this side". The instrumental "Will Power" set the stage for things to come later, but before he left pop behind, he put out two more albums, Blaze of Glory and Laughter & Lust.
For some years he drifted away from the pop style, going on to be signed by Sony Classical in 1997.[citation needed] They released his Symphony No. 1 in 1999, for which he received a Grammy Award for Best Pop Instrumental Album in 2001.[5]
In 1995, Joe Jackson contributed his version of "Statue of Liberty" on a tribute album to the English band XTC called "Testimonial Dinner" (released 1998).
In 2003, he reunited his original quartet[2] for the album Volume 4, and a lengthy tour. As before, the quartet consisted of Jackson, Graham Maby, Dave Houghton and Gary Sanford.[citation needed]
In 2004, Jackson performed a cover of Pulp's "Common People", with William Shatner for Shatner's album Has Been.
Jackson toured 45 US and European cities in 2005 with Todd Rundgren and the string quartet Ethel,[citation needed] appearing on Late Night with Conan O'Brien performing their collaborative cover version of "While My Guitar Gently Weeps".
Thereafter, he embarked on a short tour in a piano-bass-drums trio format. He toured Europe in Spring 2007, again in a trio format.[citation needed] Jackson's album, Rain was released by Rykodisc on 28 January 2008 in the UK and one day later in the US.[6] The album included a CD and a bonus DVD containing over 40 minutes of material, including concert and behind-the-scenes footage and interviews. Jackson performed two UK shows in spring 2008, followed by a full UK tour.[citation needed]

[edit] Other activities

Jackson has actively campaigned against smoking bans in both the United States and the United Kingdom,[7] writing a 2005 pamphlet The Smoking Issue, a 2007 essay Smoke, Lies and the Nanny State,[8] and issuing a satirical song ("In 20-0-3") on the subject.[9] It was in 2003, soon after the New York smoking ban, that Jackson left the city and returned to Portsmouth, England, where he has a flat in the oldest part of the city that overlooks the harbour.[citation needed] In the DVD interviews in Rain, it was stated that he moved to Berlin in early 2007.[citation needed]
He has been quoted as saying he now spends most of his time in Berlin, but still has places in Portsmouth and New York City.[citation needed] Jackson noted his enthusiasm for real ale in his autobiography, A Cure For Gravity, published in 1999, which Jackson has described as a "book about music, thinly disguised as a memoir". It traces his working class upbringing in Portsmouth and charts his musical life from childhood until his twenty-fourth birthday. Life as a pop star, he suggested, was hardly worth writing about.[10]

[edit] Cover versions & popular use of music

In 1990, thrash metal band Anthrax recorded a cover version of Jackson's "Got the Time" for their Persistence of Time album.
In 1997 American Ska/Punk band Buck O' Nine covered Jackson's "I'm the Man" for their album Twenty-Eight Teeth.
In 1999 American Punk band Goldfinger covered "Is She Really Going Out With Him?" on their live cover album Darrin's Coconut Ass: Live from Omaha.
In 2001, Tori Amos covered Jackson's song "Real Men" on her album Strange Little Girls.
In 2002, "Steppin' Out" appeared in the popular video game Grand Theft Auto: Vice City. A loop of the instrumental portion of this song is used as the theme tune for the WYES-TV (New Orleans) weekly arts and entertainment program, Steppin' Out. The melody is also used frequently as 'bumper music' on The Neal Boortz show.[citation needed]
In 2003, Sugar Ray covered "Is She Really Going Out With Him?" for their album In the Pursuit of Leisure, and Mandy Moore recorded "Breaking Us In Two" for her album Coverage.

Tuesday, May 17, 2011

Led Zeppelin -Thank You

I was a great Led fan as a kid all my friends loved the band to they are without a dought one of the greats.
Under the Video is some info that might interest you




From Wikipedia, the free encyclopedia

"You Shook Me"
Single by Muddy Waters
Format Single
Recorded June 27, 1962
Chicago
Genre Blues rock
Length 2:44
Label Chess (Cat. No. 1827)
Writer(s) Willie Dixon, J. B. Lenoir
Producer Willie Dixon

"You Shook Me" is a blues song written by Willie Dixon and J. B. Lenoir. Earl Hooker first recorded it as an instrumental which was then overdubbed with vocals by Muddy Waters in 1962.

The single featured Muddy Waters on vocals, J.T Brown Ernest Cotton on tenor saxophone, Johnny "Big Moose" Walker on organ, Earl Hooker on guitar, Willie Dixon on bass, and Casey Jones on drums.


* 1 Led Zeppelin's version
* 2 Personnel
* 3 Cover versions
* 4 References
* 5 Sources

Led Zeppelin's version
"You Shook Me"
Song by Led Zeppelin from the album Led Zeppelin
Released January 12, 1969 (1969-01-12)
Genre Blues rock, psychedelic rock
Length 6:28
Label Atlantic
Producer Jimmy Page
Led Zeppelin track listing
"Babe I'm Gonna Leave You"
(2) "You Shook Me"
(3) "Dazed and Confused"
The song was recorded by various rock musicians, including Jeff Beck on his album Truth (1968), and most famously by English rock band Led Zeppelin on its debut album Led Zeppelin (1969).

Since the Led Zeppelin version was released in 1969, months after Beck's, he accused them of stealing his idea. This, along with the overall similarity between the sound of Led Zeppelin and that of Truth, led to a long rift between Beck and Led Zeppelin's Jimmy Page.[1] Beck and Page had been friends for years at that point, having both previously played as members of The Yardbirds[2]. Interestingly, Led Zeppelin bassist and keyboardist John Paul Jones had played the organ on Beck's version of the song as part of his previous work as a session musician.

In an interview he gave in 1977, Page commented:

[Led Zeppelin had] done our first LP ... with “You Shook Me”, and then I heard [Beck had] done “You Shook Me” ... I was terrified because I thought they’d be the same. But I hadn’t even known he’d done it, and he hadn’t known that we had.[3]

In another interview, also given by Page in 1977, he elaborated:

[Beck] had the same sort of taste in music as I did. That's why you'll find on the early LPs we both did a song like "You Shook Me." It was the type of thing we'd both played in bands. Someone told me he'd already recorded it after we'd already put it down on the first Zeppelin album. I thought, "Oh dear, it's going to be identical," but it was nothing like it, fortunately. I just had no idea he'd done it. It was on Truth but I first heard it when I was in Miami after we'd recorded our version. It's a classic example of coming from the same area musically, of having a similar taste.[2]

For his part, Beck has said that he first heard Page had also recorded the song when Page himself played it to him:

He said, "Listen to this. Listen to Bonzo, this guy called John Bonham that I've got." And so I said I would, and my heart just sank when I heard "You Shook Me". I looked at him and said "Jim, what?" and the tears were coming out with anger. I thought "This is a piss-take, it's got to be." I mean, there's Truth still spinning on everybody's turntable, and this turkey's come out with another version. Oh boy ... then I realised it was serious, and he did have this heavyweight drummer, and I thought "Here we go again" - pipped at the post kind of thing.[4]

On the Led Zeppelin recording, Jones double tracked the organ and the electric piano. Page used his "backward echo" technique on this towards the end with Robert Plant's screaming vocals and the guitar. This production technique involved hearing the echo before the main sound instead of after it, achieved by turning the tape over and employing the echo on a spare track, then turning the tape back over again to get the echo preceding the signal. Page had originally developed the method when recording the single "Ten Little Indians" with The Yardbirds in 1967.[5]

"You Shook Me" was one of the first Led Zeppelin songs to feature the call-and-response effect of blues style music, a style used frequently by the band on subsequent studio tracks and live in concert.[1] Jimmy Page uses a slide on this track and the song opens with a blues lick reminiscent to that of Elmore James. Perhaps because the song so effectively showcases the talents of all four band members, it was played frequently during early Led Zeppelin concerts. From 1973, however, the song was dropped from the band's live setlist as the group began to incorporate more material from subsequent albums into its on-stage performances. (In fact, in its entirety the song was played until October 1969, and until 1973 it was from time to time added as a part of "Whole Lotta Love").

Jimmy Page performed this song on his tour with The Black Crowes in 1999. A version of "You Shook Me" performed by Page and The Black Crowes can be found on the album Live at the Greek.
[edit] Personnel

* Robert Plant - vocals, harmonica
* Jimmy Page - guitars
* John Paul Jones - bass guitar, organ, electric piano
* John Bonham - drums

[edit] Cover versions

* 1968: Jeff Beck (Truth)
* 1970: Willie Dixon (I Am the Blues)
* 1993: B. B. King (Blues Summit)
* 1995: Mick Taylor (Live at 14 Below: Coastin' Home [recorded live 1 February 1995])
* 1996: The Blues Band (Homage [recorded live 1993])
* 1997: Killer Whales (Shredzilla)
* 2000: Jimmy Page & The Black Crowes (Live at the Greek)
* 2002: Lisa Ferguson (Livin' Lovin' Played: A Led Zeppelin Tribute)
* 2004: George Lynch (Furious George)
* 2008: Artimus Pyle (Led Box: The Ultimate Led Zeppelin Tribute)

References

1. ^ a b Dave Lewis (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN 0-7119-3528-9.
2. ^ a b Dave Schulps, Interview with Jimmy Page

, Trouser Press, October 1977.
3. ^ Steven Rosen, 1977 Jimmy Page Interview

, Modern Guitars, May 25, 2007 (originally published in the July 1977, issue of Guitar Player magazine).
4. ^ Mick Wall (2008), When Giants Walked the Earth: A Biography Of Led Zeppelin, London: Orion, p. 57.
5. ^ Brad Tolinski and Greg Di Bendetto, "Light and Shade", Guitar World, January 1998.

Sources

* Led Zeppelin: Dazed and Confused: The Stories Behind Every Song, by Chris Welch, ISBN 1-56025-818-7
* The Complete Guide to the Music of Led Zeppelin, by Dave Lewis, ISBN 0-7119-3528-9

[show]v · d · eLed Zeppelin track listing
"Good Times Bad Times" · "Babe I'm Gonna Leave You" · "You Shook Me" · "Dazed and Confused" · "Your Time Is Gonna Come" · "Black Mountain Side" · "Communication Breakdown" · "I Can't Quit You Baby" · "How Many More Times"
[show]v · d · eLed Zeppelin
John Bonham · John Paul Jones · Jimmy Page · Robert Plant
Studio albums
Led Zeppelin · Led Zeppelin II · Led Zeppelin III · Led Zeppelin IV · Houses of the Holy · Physical Graffiti · Presence · In Through the Out Door · Coda
Live albums
The Song Remains the Same · BBC Sessions · How the West Was Won
Compilations
Led Zeppelin · Profiled · Remasters · Boxed Set 2 · The Complete Studio Recordings · Best of Led Zeppelin · Mothership · Definitive Collection
Singles
"Good Times Bad Times" / "Communication Breakdown" · "Whole Lotta Love" / "Living Loving Maid (She's Just a Woman)" · "Immigrant Song" / "Hey Hey What Can I Do" · "Black Dog" / "Misty Mountain Hop" · "Rock and Roll" / "Four Sticks" · "Over the Hills and Far Away" / "Dancing Days" · "D'yer Mak'er" / "The Crunge" · "Trampled Under Foot" / "Black Country Woman" · "Candy Store Rock" / "Royal Orleans" · "Fool in the Rain" / "Hot Dog"
Films
The Song Remains the Same · Led Zeppelin
Tours
Scandinavia 1968 · U.K. 1968 · North America 1968/1969 · U.K. & Scandinavia 1969 · North America Spring 1969 · U.K. Summer 1969 · North America Summer 1969 · Europe Autumn 1969 · North America Autumn 1969 · U.K. 1970 · Europe 1970 · North America Spring 1970 · Iceland, Bath & Germany 1970 · North America Summer 1970 · U.K. Spring 1971 · Europe 1971 · North America 1971 · Japan 1971 · U.K. Winter 1971 · Australasia 1972 · North America 1972 · Japan 1972 · U.K. 1972-1973 · Europe 1973 · North America 1973 · North America 1975 · Earls Court 1975 · North America 1977 · Knebworth 1979 · Over Europe 1980 · Ahmet Ertegün Tribute Concert 2007
Related
Articles

Discography (Bootlegs) · Swan Song · Bron-Yr-Aur · The Starship · Caesar's Chariot · Shark episode · Led Zeppelin - The 1980s, Part One
Bands

The Yardbirds · XYZ · The Firm · Coverdale-Page · Page and Plant · Them Crooked Vultures · Strange Sensation
Books

Hammer of the Gods: The Led Zeppelin Saga · Stairway to Heaven: Led Zeppelin Uncensored · When Giants Walked the Earth: A Biography of Led Zeppelin
People

Peter Grant · Richard Cole · Jason Bonham
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[show]v · d · eThe Jeff Beck Group
Jeff Beck
Micky Waller • Rod Stewart • Ronnie Wood • Nicky Hopkins • Tony Newman • Aynsley Dunbar • Bobby Tench • Max Middleton • Cozy Powell • Clive Chaman • Tim Bogert • Carmine Appice • Kim Milford
Studio albums
Truth • Beck-Ola • Rough and Ready • Jeff Beck Group
Songs
"You Shook Me" • "Shapes of Things" • "Barabajagal" (with Donovan) • "I Ain't Superstitious" • "Morning Dew" • "Ol' Man River"
Related articles
The Yardbirds • Beck, Bogert & Appice
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